Beethoven - translation to γαλλικά
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Beethoven - translation to γαλλικά

GERMAN COMPOSER (1770–1827)
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  • Antonie Brentano (1808) painted by [[Joseph Karl Stieler]]
  • August von Kloeber}}
  • Beethoven in 1803, painted by [[Christian Horneman]]
  • Beethoven in 1815: portrait by [[Joseph Willibrord Mähler]]
  • Portrait of Beethoven as a young man, c. 1800, by Carl Traugott Riedel (1769–1832)
  • Beethoven in 1823 by [[Ferdinand Georg Waldmüller]]
  • Bust of Beethoven by [[Hugo Hagen]], 1892, [[Library of Congress]], Washington, D.C.
  • Beethoven's birthplace at Bonngasse 20, Bonn, now the [[Beethoven House]] museum
  • Beethoven on his deathbed; sketch by [[Josef Danhauser]]
  • Christian Gottlob Neefe. Engraving after Johann Georg Rosenberg, c. 1798
  • Count Waldstein: portrait by [[Antonín Machek]], c. 1800
  • E. T. A. Hoffmann, [[self-portrait]], c. 1820
  • Titlepage of ms. of the ''Eroica'' Symphony, with Napoleon's name scored through by Beethoven
  • Goethe in 1808; portrait by [[Gerhard von Kügelgen]]
  • Josephine Brunsvik, pencil miniature (unknown artist), before 1804
  • Karl van Beethoven, c. 1820: miniature portrait by unknown artist
  • Johann Baptist von Lampi]]
  • Beethoven's grave at Vienna [[Zentralfriedhof]]
  • Prince Lobkowitz: portrait by [[August Friedrich Oelenhainz]]

Beethoven      
Beethoven, Ludwig van Beethoven (1770-1827), famous German composer
Ludwig         
Ludwig, male first name; Beethoven, Ludwig van Beethoven (1770-1827)

Ορισμός

Beethovenian
[?be?t(h)??'vi:ni?n]
¦ adjective relating to the work of the German composer Ludwig van Beethoven (1770-1827).

Βικιπαίδεια

Ludwig van Beethoven

Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression.

Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively taught by his father, Johann van Beethoven. Beethoven was later taught by the composer and conductor Christian Gottlob Neefe, under whose tutelage he published his first work, a set of keyboard variations, in 1783. He found relief from a dysfunctional home life with the family of Helene von Breuning, whose children he loved, befriended, and taught piano. At age 21, he moved to Vienna, which subsequently became his base, and studied composition with Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon patronized by Karl Alois, Prince Lichnowsky for compositions, which resulted in his three Opus 1 piano trios (the earliest works to which he accorded an opus number) in 1795.

His first major orchestral work, the First Symphony, premiered in 1800, and his first set of string quartets was published in 1801. Despite his hearing deteriorating during this period, he continued to conduct, premiering his Third and Fifth Symphonies in 1804 and 1808, respectively. His Violin Concerto appeared in 1806. His last piano concerto (No. 5, Op. 73, known as the Emperor), dedicated to his frequent patron Archduke Rudolf of Austria, premiered in 1811, without Beethoven as soloist. He was almost completely deaf by 1814, and he then gave up performing and appearing in public. He described his problems with health and his unfulfilled personal life in two letters, his Heiligenstadt Testament (1802) to his brothers and his unsent love letter to an unknown "Immortal Beloved" (1812).

After 1810, increasingly less socially involved, Beethoven composed many of his most admired works, including later symphonies, mature chamber music and the late piano sonatas. His only opera, Fidelio, first performed in 1805, was revised to its final version in 1814. He composed Missa solemnis between 1819 and 1823 and his final Symphony, No. 9, one of the first examples of a choral symphony, between 1822 and 1824. Written in his last years, his late string quartets, including the Grosse Fuge, of 1825–1826 are among his final achievements. After some months of bedridden illness, he died in 1827. Beethoven's works remain mainstays of the classical music repertoire.

Παραδείγματα από το σώμα κειμένου για Beethoven
1. Bach, Beethoven et Mozart transcrivaient eux–męmes beaucoup.
2. Chez Beethoven cela dépassait le savoir– faire technique.
3. L‘intégrale des 32 sonates pour piano de Beethoven.
4. On peut le comprendre: Beethoven réclame une concentration extręme.
5. A quelques heures de la clôture, Garrick Ohlsson magnifie Beethoven et Piotr Anderszewski révèle Szymanowski.